Dela Kay Releases “Anybody Else”

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Dela Kay Reflects on Love and Loss in New Single

“Anybody Else”

Stream “Anybody Else” Here

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February 14th, 2025 [Los Angeles, CA] – Alt-Pop artist, Dela Kay, unveils her

latest single, “Anybody Else,” a heart-wrenching ballad that captures the bittersweet

nostalgia of lost love. Written October of last year in Nick Cozine’s East Nashville studio,

the song was born out of deep reflection and raw emotion, making it one of Dela Kay’s

most vulnerable releases to date.

The track was co-written by Dela Kay, Nick Cozine, and Whitney Fenimore—the same

trio behind her previous single, “Remedy.” “As soon as the three of us got together, we

knew we were going to write a ballad,” shares Dela Kay. “I was still processing apainful breakup just a few months before, and with the Halloween spookiness looming

in the air that day, nostalgia was all around us. We started to walk down memory

lane with my past relationship, coming up with lyrics detailing my first date, then

letting the current reality hit when writing the chorus.”

Nick Cozine first introduced the “any anybody else” hook, which instantly resonated

with the team. “Whitney and I loved it and knew we wanted to keep it,” Dela Kay

recalls. “With both Nick and Whitney rooted in the folk/indie scene, the melodies we

developed felt so organic and real to all of us. Sometimes when you’re speaking

directly from the heart, things flow super easily, and they definitely did that day.”

In an unconventional move, the final vocal in “Anybody Else” is actually Dela Kay’s

original scratch vocal from the writing session. “We loved it so much, we kept all of

it—it’s the same vocal you hear in the final track!” she reveals.

Sonically, “Anybody Else” evokes the drama and intensity of early 2000s romance

films. “It’s kind of giving ‘A Cinderella Story’ when Chad Michael Murray runs up on

the bleachers in the rain to kiss Hilary Duff after the football game,” Dela Kay

explains. “We wanted the verses to feel bare, with acoustics leading the track alongside

strings, but then have the choruses come in strong with booming drums and electric

guitar swells—absolutely wrecking our hearts.”

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